I wish all drawings would go this fast & result in something this cute.
Click for full size!
It actually took longer to scan/edit the images & make this post than it did to draw him. I could tell it was flowing, and usually you wouldn’t want to interrupt that but I thought it looked okay without inking, so I scanned it while it was still pencil & marker. (“Take a picture, it’ll last longer“)
Click for full size!
P.S.
Re: Egghead – I made a funny.
I missed a post yesterday, but not because I didn’t do anything creative: I just made food, not drawings! Sometimes I just make stuff up when I’m cooking & it turns out pretty güd.
After Wombat’s wonderful mac-n-cheese was enjoyed by all, I sat down with some sculpy. After a few minutes without inspiration, I decided to change medium. I really wanted to do some sculpting, but I don’t want to “force it”.
I found myself staring at the wall:
So here is my rendering:
Click for full size.
Wall art detail
Hope you like it – I do 
In the book Disneyland Paris: From Sketch to Reality (by Alain Littaye, Didier Ghez), there is a small image of a great piece of concept art for Pirates of the Caribbean ride. I really like the energy in the shot, so I thought I would try see if I could capture a little myself.
Click for full size - if you dare
While I’m happy with the way it turned out I’m not happy with the way it scanned. I did this on vellum; with inking on the front and marker color applied to the back. This method gives it a certain luminosity which is hard to capture with the scanner. It’s this color effect that really is the point of the exercise, and in the full-size (click the above image) you can see some spots of unfortunate inking.
Hope you like it.
This is the first post in a personal challenge to do & document something creative daily. Instead of eating lunch today (I’m not exactly wasting away), I did a quick marker sketch of an iconic frame of an iconic character. Chernabog can be seen in the original Fantasia. Here it is:
Click for a large view.
One of his eyes needs some work, but part of this challenge is to let go of nit-picking. I’m really happy this took me less than half an hour. Here’s a description from the Disney archive:
From his perch high upon Bald Mountain, Chernabog unfolds his wings and casts his dark shadow over the sleeping village. Born of nightmare and myth, he conjures writhing harpies and fiends, and calls the spirits of the restless dead to perform at his beckoning. His minions live and die at his whim, feeding the fire with their bones when he’s wearied of their devotion. Chernabog is king of the darkness and no human dares walk the night while he’s abroad! His evil power stands against anything — except the clean light of the sacred dawn. When the sweet notes of morning break over the mountain, the monster must crawl back into hiding, for against the purity of the day, his evil is helpless. But Chernabog is never gone, he merely waits for the coming of another night, and the chance to continue the eternal battle between light and dark.
Animator Bill Tytla drew on the Ukrainian myths of his childhood, and the powerful concept imagery created by Danish artist Kay Nielsen, to bring the frightening Chernabog to life. Horror-film star Bela Lugosi performed live-action reference for the giant demon, but Tytla was not completely satisfied with the result and re-shot much of the acting himself.
Film: “Fantasia” (1940)
Animator: Vladimir “Bill” Tytla
Click for a large view of reverse side of sheet.
This is the back view of the paper, which shows how I did the coloring for this image. All the black marker is on the front side, while coloration was achieved by liberally applying yellow, terracotta, and blue markers through the backside of the sheet to mix & blend. This can give a “splotchy” color effect & allows you to use markers without having a solid “edge” to each stroke. A clear blending marker could also achieve this end.
I would be very interested in hearing what you think!
